I'm enjoying the progress I've made and am trying to maintain momentum so that I can close the box.
The top is on and there's not a lot of squeeze out at the kerfed lining. I've sanded all the braces smooth and added a terry cloth patch to reinforce the lap joint on the main X brace. I'm pleased with how resonant and clear the tap tone is, though I couldn't begin to describe it scientifically.
With that step, I consider this project to be at its halfway point. I know that there's a lot to go but the back and neck are all intact and awaiting to be fitted to the body.
So, on to a dry fitting to ensure that the kerfed lining is properly sanded to match the dome of the back and that the notches are in the right positions so that the center strip is aligned with that of the body.
Thanks for the advice Diane. I'm trying not to get too far ahead and be intimidated by the upcoming routing and binding phase. So far it looks like the notches are quite that deep but visually I like the BWB on the side so I may take that route. I'm probably being too ambitious with the plan to put herringbone purfling on the top but don't plan to add any purfling on the back this time, just flamed maple binding. I need to focus more on the more important steps of setting the neck angle and installing and dressing the frets.