johnnparchem wrote:
The compensation is most typically done on the saddle, there are some that do nut compensation as well, but that usually involved moving the nut toward the body a 1-2 mm from the zero slot and compensating back toward the zero slot. I have seen slanted saddle slots on classical guitars but not that many. The difference in the thickness of the strings are not nearly as large as on a steel string so the intonation is less of an issue. I have not seen a deliberately slanted bridge used with a single scale fret board.
Thank you!