The guitar that didn't want to get built
Posted: Sun Feb 20, 2011 9:29 pm
Last summer I started a thread on my daughter's guitar. Finally, after some pretty bad ups and down, it's finally done.
The neck he sent was a 5 piece laminate, mahogany, maple, bloodwood,maple, mahogany and it was exquisite.
I sent the headstock off to Jimmi Wingert to inlay a kangaroo on it. My daughter's name is Joey, which is the name for a baby kangaroo, and it was the touch I wanted.
Some might remember a cat got loose and helped break one of the sides, but it was salvaged with help from Steve Kinnaird.
And, to top it all off, a misunderstanding resulted in a mis-matched neck angle. Ken helped me resolve that, and finally, FINALLY, it's done.
It's a 000/OM. Back and sides are Rosewood, the top is Engelmann Spruce. The purfling on the top is white/bloodwood/white/bloodwood. On the back, it's white/bloodwood/white. The rosette is rosewood surrounded by shell. I bound the ebony fretboard in bloodwood with small shell inlay for position markers. Then I inlayed the fretboard with white MOP. Of course the headstock is bloodwood with maple and ebony making up the kangaroo inlay.
I did a lot of work on the top bracing, possibly pushing the limit on the amount of wood I cut off of the braces. It's so lightly braced, that I can slightly feel the top deform in a couple of spots. It's not much, but just a tiny bit.
The building part of this is here: viewtopic.php?f=5&t=299
Thanks for looking,
Bob
The neck he sent was a 5 piece laminate, mahogany, maple, bloodwood,maple, mahogany and it was exquisite.
I sent the headstock off to Jimmi Wingert to inlay a kangaroo on it. My daughter's name is Joey, which is the name for a baby kangaroo, and it was the touch I wanted.
Some might remember a cat got loose and helped break one of the sides, but it was salvaged with help from Steve Kinnaird.
And, to top it all off, a misunderstanding resulted in a mis-matched neck angle. Ken helped me resolve that, and finally, FINALLY, it's done.
It's a 000/OM. Back and sides are Rosewood, the top is Engelmann Spruce. The purfling on the top is white/bloodwood/white/bloodwood. On the back, it's white/bloodwood/white. The rosette is rosewood surrounded by shell. I bound the ebony fretboard in bloodwood with small shell inlay for position markers. Then I inlayed the fretboard with white MOP. Of course the headstock is bloodwood with maple and ebony making up the kangaroo inlay.
I did a lot of work on the top bracing, possibly pushing the limit on the amount of wood I cut off of the braces. It's so lightly braced, that I can slightly feel the top deform in a couple of spots. It's not much, but just a tiny bit.
The building part of this is here: viewtopic.php?f=5&t=299
Thanks for looking,
Bob