French Polishing Curing problems
Posted: Wed Jan 21, 2015 6:38 am
Hi most learned French polishing Gurus.... I have issue with my French polishing. Having filled a collapsed section of my rosette many weeks ago using a "jelly drop " technique as suggested by Brian Howard in another topic, I have a section around my rosette and upper bout where the polish was probably put on too thick (in my haste to progress the build...I know, I know... not supposed rush) and now is taking a long time to harden( last coats put on 2 weeks ago) as I found out when working on the fingerboard tonight when I managed to put some compression marks in the finish even underneath a high grade cardboard caul which I had made to protect the top of the guitar,which I thought was hard...OK so I need to get the top hard( well DUH!)... so should I
1)wait and see how the top settles over the next few days weeks and assess/repair the damage then?
2) Sand back/level very lightly to get rid of the compression marks and by exposing the finish a bit more, this should let the finish underneath harden a bit more before re-polishing and spiriting off again?
I still need to attach the bridge and I guess that I could do the prep work for this this (as the bridge area/ lower bout area is hard) while the rest of the top hardens around the upper bout? exposing this bridge area would also allow me to see how thick the finish is in case it is too thick and the top finish needs to be thinned all over? I would do this before finally attaching the bridge
Guitar building room is at about 50% humidity but gets hot during the day while at work 30 degrees Celsius( middle of our Summer). Shellac that's been used is fresh from LMI and dissolved in alcohol as recommended.
As Always you advise would be most gratefully received
Regards Mark
1)wait and see how the top settles over the next few days weeks and assess/repair the damage then?
2) Sand back/level very lightly to get rid of the compression marks and by exposing the finish a bit more, this should let the finish underneath harden a bit more before re-polishing and spiriting off again?
I still need to attach the bridge and I guess that I could do the prep work for this this (as the bridge area/ lower bout area is hard) while the rest of the top hardens around the upper bout? exposing this bridge area would also allow me to see how thick the finish is in case it is too thick and the top finish needs to be thinned all over? I would do this before finally attaching the bridge
Guitar building room is at about 50% humidity but gets hot during the day while at work 30 degrees Celsius( middle of our Summer). Shellac that's been used is fresh from LMI and dissolved in alcohol as recommended.
As Always you advise would be most gratefully received
Regards Mark