Question About Wood Marquetry/Inlay
Posted: Thu Jan 15, 2015 12:52 pm
Hi guys,
I'm seriously thinking of inlaying the fretboard and headplate on my next build, with wood marquetry. I've made a preliminary drawing of my design, and have a good working knowledge of how to go about cutting it out and inlaying it, except for choosing the species of wood. Unfortunately, I've searched the internet and haven't found any really useful information on inlaying marquetry into guitar fretboards.
Another member has mentioned that not all species of woods interact well together over time, ie. shrinkage, adaptation to humidity/temperature, etc. I know I need to use hardwoods to withstand the steel strings. I've not decided on whether I'm going to dye any the pieces to color them, or use different, "natural" woods, to create the inlay.
My questions are:
1. How do I go about choosing woods that work well with each other; is the janka hardness scale useful indicator of well woods work together over time? Do woods of similar hardness, inlay well together.
2. Do you have suggestions on which woods would work well for fretboard inlay?
3. Are there special considerations or procedures on dying hardwoods?
4. Since I've never dyed a wood, would it dye deep enough that it would maintain the color over the years, when fretting steel strings?
Any information would be helpful.
Thanks!
diane
I'm seriously thinking of inlaying the fretboard and headplate on my next build, with wood marquetry. I've made a preliminary drawing of my design, and have a good working knowledge of how to go about cutting it out and inlaying it, except for choosing the species of wood. Unfortunately, I've searched the internet and haven't found any really useful information on inlaying marquetry into guitar fretboards.
Another member has mentioned that not all species of woods interact well together over time, ie. shrinkage, adaptation to humidity/temperature, etc. I know I need to use hardwoods to withstand the steel strings. I've not decided on whether I'm going to dye any the pieces to color them, or use different, "natural" woods, to create the inlay.
My questions are:
1. How do I go about choosing woods that work well with each other; is the janka hardness scale useful indicator of well woods work together over time? Do woods of similar hardness, inlay well together.
2. Do you have suggestions on which woods would work well for fretboard inlay?
3. Are there special considerations or procedures on dying hardwoods?
4. Since I've never dyed a wood, would it dye deep enough that it would maintain the color over the years, when fretting steel strings?
Any information would be helpful.
Thanks!
diane