If you are interested in defection measurement testing then you might want to check out this video by Ben WilbornJLT wrote: ↑Tue Oct 13, 2020 7:10 pmHigher on the back than the soundboard, or vice versa?tippie53 wrote:I want to be a semi tone different on the top and back. I just use my ear .
And, now that I have a thicknessing sander, I can control the soundboard thickness much better than before. It seems that some luthiers base their decisions on thicknessing from the stiffness of the soundboard, which they measure by deflection. Is there a guide that tells me how I can rig up something to test that deflection? And what would that deflection be? (I'm guessing that it's proportional to the width of a soundboard, but the actual values are a mystery to me.)
https://www.youtube.com/watch?v=m5Epr3U0rDw
He measures deflection of the top and back panels before bracing to help determine thickness, since the stiffness of the wood varies. He also measures the deflection of the top and back of the braced guitar as he thins the sides to get what he is looking for. I am trying to do the same with my build ( see "Wilborn Guitar Attempt " in the " Blog Your Project" section of this site). Unfortunately, the deflection measurement is not standardized. Different people use different methods so it is difficult to compare numbers. I more or less copied Ben's setup so I could use some of his numbers but in the long run defection testing is probably only useful if you make a lot of guitars and keep records of deflection for each guitar build using the same setup.
As far as tap tones, it seems you really need to have the top and back braced and held down (in a jig or the real guitar sides ) to fine tune the braces properly. In a book by Trevor Gore ( Contemporary Acoustic Guitar Design and Build ) he recommends that the top resonate about 110 to 140 Hz ( about between A and C ). The back he recommends be higher by at lease 4 semi tones. He claims that otherwise it interferes too much with the top resonance.
Hope this helps.