As oriented in the first picture, the grain width is further apart towards the center and get tighter as you move towards the outside. There is also a defect (cutout top right and left) in the wood that if flipped around, would not fit either a dred or an OM pattern so I am stuck with the orientation shown. While I can't complain as it was free (actually I was thrilled with LMII to get it), I would like to still use it if possible..
Is there a reason (acoustical, structural, or asthetic) why the wider grain portion of the soundboard can't be towards the center line of the guitar and the tighter grain be toward the outside? Does anyone build this way?
Thanks,
John Butler

